The Best Record of 2001: Day 1

Here we go! It’s a battle for the Midwest as Wilco takes on Slipknot.

Good morning!

Today we’re taking a look at Wilco’s Yankee Hotel Foxtrot (#1) and Slipknot’s Iowa (#128)


Note: As many of you saw, I recently wrote about a Best Record of 2001 challengeand noted that I’d be occasionally writing some of these up.

Each day, I’ll do some quick hits of each first-round match-up and post them directly to the page. Some will be longer, some won’t, and some might just be a handful of sentences. There’ll probably definitely be a few typos. We’ll also have a few guest posts along the way, so make sure to stay tuned for those!

Check ’em out and let me know your thoughts! Chin wags & hot takes welcome! Sharing and restacks always appreciated.

KA—


Wilco’s Yankee Hotel Foxtrot is one of those records that is usually described in hushed tones and with reverence. For a certain demographic (i.e., suburban dads), it’s canon. It’s given as a meaningful gift and passed down from dad to son. It gets boxed up for anniversaries and treated as the moment Wilco turned from alt‑country to something in the pantheon of dad rock. For many listeners, it’s a landmark and must-have.

For me, it’s never landed.

On paper, I should be all over this. I like the genre. I’m a fan of good writing and stories that aren’t quite in focus. I wear cargo shorts and Sambas. I prefer Microbrews over Miller. Yankee Hotel Foxtrot checks those boxes…and yet…

The opener, “I Am Trying to Break Your Heart,” is a declarative statement, despite a wonky groove, and vocals that range between weary and half‑asleep, which frankly is how it leaves me feeling. I can admire how the whole thing is put together. That doesn’t change the fact that my favorite part of the whole deal is the cover art.

I want to like this record, I really do. I’m supposed to, right?! Lord knows I’ve tried. “Kamera?” Check. “I’m the Man Who Loves You?” check. Absolute apathy towards the sound? Check.

Maybe it all feels undercooked? I know that was a choice, and there are a lot of records that aim for intentionally good, not great, as an aesthetic. Maybe the hype surrounding it has led to horribly mismatched expectations. I dunno. All I can tell you is that I walk away from the sound machine feeling underwhelmed. This is a record that should be a gut punch.

None of this makes Yankee Hotel Foxtrot a failure, of course. It’s thoughtful, was clearly labored over, and clearly means a lot to a lot of people. I’m just not one of them. This is the #1 seed in the bracket and will likely make a deep run in the tourney. Heck, even I’ve pipped it to take it all (I’m pragmatic if nothing else). My bigger concern is that it’s gonna hoover up a ton of discourse oxygen. Hopefully, I’m wrong. Wouldn’t be the first time.


Slipknow’s Iowa, meanwhile, felt like everything YHF wasn’t; it was loud, dangerous, and maybe most importantly unique. The production here is a choice as well, and that choice is “don’t sand the edges off.”

The masks, jumpsuits, and numbers for names read as a gimmick (and still do, tbh), but the band said they wanted people to focus on the music, and I get it.

Tracks like “People = Shit,” “Disasterpiece,” and “The Heretic Anthem” aren’t trying to steal your heart so much as rip it out of your chest and show it to you. Joey Jordinson’s drums sound fully formed, for lack of a better term. Corey Taylor sounds like a man possessed. It’s uncomfortable. It’s glorious.

I also think that part of the appeal is where the band came from. And I mean that literally. As in the flyer states. Specifically, well, Iowa. Pop culture and tastemakers love to ignore the Central time zone, and when you put out a record that sounds like a blast furnace, that’s hard to do.


Bottom Line:
Somewhere there’s a universe where Iowa is on the right side of a #1 vs #128 match-up. Unfortunately, we don’t live there. I love rooting for the underdog, and will vote for Iowa out of spite, if nothing else. But I can’t see a way out for Clown & Co. My bracket pick begrudgingly goes to YHF.

Any thoughts on either of these records? Agree/disagree with my takes? Which one of these would you vote for? Sound off in the comments!

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Discussion: What’re You Listening To?

Good morning! Need an antidote for the algorithms? Looking for a place to share the music you love with like-minded people? You’re in the right spot.

For those of you who are new, we kick off every week by sharing what we’ve been playing, and the playlist below is some of what’s been in heavy rotation for me.

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Wilco is a band that needs little explanation: they make a record, people love it, repeat. Jeff Tweedy is often mentioned in the same breath as Dylan and credited with helping spark the entire alt-country genre.

Is Yankee Hotel Foxtrot an objectively good record? Yes.

Am I more interested in the apartments featured on the cover than the record itself? Also yes.

I’ve mentioned it before, but this has always felt like a record people liked because they thought they had to. It’s one that any hipster craft beer bar likely plays on repeat (heh). That’s reductive and unfair, of course, and listening again ahead of the Best Record of 2001 bracket, I can see the appeal. “I Am Trying to Break Your Heart” is a classic, but tracks like “Kamera” sound far better than I ever remember them being. I can see myself sitting on the back patio of that bar with some friends, whiling away a summer afternoon. The strings on “Jesus, Inc.” are a nice touch, too. I get it. But I’m still more interested in the buildings.

I say all this to admit that my toxic trait is that (try as I might) I just don’t like Wilco very much.

BUT—and this is a big but—I will 100% carve out an exception for Summerteeth. To my ear, “I’m Always in Love” is the quintessential pop song, and that—more than even something like “I Am Trying to Break Your Heart”—shows the genius of this band.

Wilco is here, but so too is everyone from Television and The Feelies to Heavy Looks—one of my fave WI-based bands. There are also new tracks from Jack Vinoy, Lala Lala, and Inner Wave (among others).

A few of you have asked whether I sequence these as an album or a mixtape. The answer is always yes. In my head, I imagine them being played on your morning commute or road trip. I’m too old to use the word “vibes” as much as I have lately, but, well, if the shoe fits…

This week, Side A is tracks 1–15 (ending with “1880 or So”), with Side B being 16–27.

On to the music…

KA—


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Now it’s your turn.

Any new releases or shows you’re looking forward to? Whatcha got? Share your thoughts in the comments!