Good morning!
This past Friday I went to a political rally lightly disguised as a stop on a book tour. It was a Q&A with Ben Wikler and Pete Buttigieg, and a couple of other local/state politicians and activists. I was really there to see “Mayor Pete” (I’m an unrepentant infrastructure geek), but if I’m honest, it was far more engaging and entertaining than I thought it might’ve been.
I’m terminally online and far too plugged into the WI political landscape for my own good. It’s easy to get jaded and check out, but this was a great antidote; a bulwark against the tsunami of political ads that are about to swamp every channel.
One of the points made was a quote: Hope is not the cause of action. Hope is the consequence of action.
I admit it’s a touch pithy—something very much at home on a Successories poster—but I also couldn’t help but frame it in terms of records, writing, and any creative pursuit. People take their time, treasure, and talent and put something out in the world. They hope people like it, of course, but that’s an aftereffect.
The TL;DR of the evening was that success comes when we (collectively) decide to tear down existing models and speak truth to power. Those walls come down slowly at first and then all at once. It starts with a conversation, or making a single phone call. Or making a small ask of someone (in my organizing days we would call these pressure tests, and the equivalent might be asking them to sign an A-card). You do this over and over—you put in these reps—and eventually something new and better emerges.
On the way there, we drove by what was once Smart Studios, and as each person spoke, I couldn’t help but map their points to the past and current music landscape.
Writing about the building a few years ago, I noted:
Today, Smart Studios stands stoically on the corner as the world rushes by. Boarded up and on the market, it stands sentinel over an era long past, but whose legacy lives on.
In the ’90s, people took existing models and bent them to their will…or they just tore them down altogether and built something novel.
And we did it together. People collaborated long before your Instagram timeline was polluted with spammy “DM to collab” comments from bots. It felt like everyone was in a band. And if you weren’t playing, you were writing. And if you were writing or making a ’zine, you were doing art for record covers or T-shirts.
When people took to the streets in PDX, it wasn’t performative or for the ’gram. The crowds built a person at a time. One person asking another to join them. And another. And then another.
It was a fantastic time. And it was the result of small steps adding up to something much larger.
No wonder it gave us so many good sounds.
On to the music…
This week, I’ve been listening to a ton of The Church. Ditto R.E.M. and Yo La Tengo (some of you may have seen that those are the two frontrunners for which discography Sam Colt and I work through next- stay tuned for the results!). There’s also some INXS and Shonen Knife, the latter of whom used to soundtrack a lot of my drives into the city for shows, We also lost L7 bassist Jennifer Finch late Saturday. L7 of course recorded at Smart Studios. Fuck cancer.
I promise this isn’t a nostalgia account; I might be an 80s/90s kid, but the music of 23026 gives me just as much hope as those records did back in the day. This week we’ve got some killer new sounds from Sweeping promises, Ceylon Sailor, Inland Years, and many more.
Side A is tracks 1-14. Side B is tracks 15-27.
The Playlist:
Other sources: | Apple | Qobuz | YouTube Music |
Now it’s your turn.
What’s been in heavy rotation in your world? Any new releases or shows you’re looking forward to? Whatcha got? Share your thoughts in the comments!

