2 Beastie Boys, Paul’s Boutique vs. #127 Cardiacs, On Land and in the Sea
Good morning!
Today we’re taking a look at records from Beastie Boys and Cardiacs
Note: As many of you know, I recently wrote about a Best Record of 1989 challenge and noted that I’d be occasionally writing some of these up.
I’ve started doing some quick hits of each matchup and posting them directly to the page. Some will be longer, some won’t, and some might just be a handful of sentences. There’ll probably definitely be some typos.
Check ’em out and let me know your thoughts! Chin wags & hot takes welcome! Sharing and restacks are always appreciated.
KA—
Last fall, Sam Colt and I took on the absurd fun idea of writing up our respective Top 100 lists. We started at 100, and over several weeks worked out way to the top. I’ll say only this; Paul’s Boutique made it’s appearance pretty late in the game. Felt strange trying to describe what is best described as the band’s magnum opus, but below is/was my attempt.
Around the time this came out, a guy was something of an extra in the movie of my life. He was a DJ, and I’d see him everywhere. Tower Records, house parties, on the street; you name it. I lived in a suburb, but it wasn’t that small. He would refer to himself as “{your] hip hop connection” and hand us a business card, which I guess was the late 80s way of building a brand. I dunno. But he was really good at turning people on to new records. One of them was Paul’s Boutique.
Running into him on the street, he was evangelical about the record, almost begging us to buy it and see for ourselves. I did…and was promptly disappointed. In hindsight, I should‘ve known a DJ would talk up a record built on samples- so many, in fact, that a lot of them are almost unrecognizable. But I was expecting/half hoping for a License to Ill PT II. That, of course, wasn’t going to happen. Time and the band had moved on.
What we got instead was nothing the world had ever seen. MCA hadn’t yet gone full monk, but he was already cooler than a cucumber in a bowl of hot sauce. Tracks like “Shake Your Rump” show Ad-Rock and Mike D largely dropping the frat boy bit but none of their swagger. For anyone looking for “Brass Monkey” or a similar ditty about chasing girls, “Hey Ladies” will have to do. “Sounds of Science” is still a banger. “Looking Down The Barrel of a Gun” feels like an homage to the Cookie Puss days. This is a hip-hop record, but they were a band first.
It took me a while, but I came around to his record. Several months later, I was at a party where my DJ friend was spinning wax. He played “Sounds of Science,” and the place came alive. Later that night, we were outside smoking, and I told them I loved the record. “Man, I told you!” he said, “If you ever need a DJ, let me know,” pressing yet another business card into my hand.
Thirty-something years later, my son tagged along with me to our local record store. He liked rap and was looking for what would be his first vinyl buy. I sold him on Paul’s Boutique the same way I had been all those years—and miles—ago. He walked out the door with a copy.
If listening to Paul’s Boutique made me feel 10 times cooler, playing On Land and in the Sea did the opposite. I know there’s a whole world of fans out there that dig this sort of thing, but it just felt like a bit that would show up on an episode of The Young Ones. Something Vyv would love and something Mike the Cool Person wouldn’t touch. Rick would go predictably berserk, and Neil would say something out of pocket about carrots, or whatever. Hijinks ensue! Yawn.
My vote: Is there any question? A record that upended a whole genre for the better, or one that had me looking for some Anacin? Paul’s Boutique. All day.
Any thoughts on either of these records? Agree/disagree with my takes? Which one of these would you vote for? Sound off in the comments!
Check out the full brackethere.
Info on the tourney, voting, and more is here.
As always, thanks for being here.
KA—
Kevin Sent 